Cinematography in the Weimar Republic: Lola Lola, Dirty Singles, and the Men Who Shot Them

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Cinematography in the Weimar Republic argues that the new medium of film was preeminent among the avant-garde art forms that distinguished the cultural renaissance of the Weimar Republic and that within this progressive medium cinematographers were the leading purveyors of the new kinetic visual imaginary. Germany’s enduring contribution to film history was the collaborative model of filmemacherin, with directors and cinematographers working together as equal partners.

Book Details

Publication Date
August 15, 2016
Publisher
Page count
286
ISBN
9781611479454
Paper ISBN
9781611479447