Theater

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Cousins: A Memoir Cousins: A Memoir Athol Fugard
The London Stage 1920-1929: A Calendar of Productions, Performers, and Personnel The London Stage 1920-1929: A Calendar of Productions, Performers, and Personnel J. P. Wearing
The London Stage 1930-1939: A Calendar of Productions, Performers, and Personnel The London Stage 1930-1939: A Calendar of Productions, Performers, and Personnel J. P. Wearing
The Orphan of Zhao and Other Yuan Plays: The Earliest Known Versions The Orphan of Zhao and Other Yuan Plays: The Earliest Known Versions Stephen H. West
Theater for Beginners Theater for Beginners Richard Maxwell
The London Stage 1890-1899: A Calendar of Productions, Performers, and Personnel The London Stage 1890-1899: A Calendar of Productions, Performers, and Personnel J. P. Wearing
Theatre and Consciousness: Explanatory Scope and Future Potential Theatre and Consciousness: Explanatory Scope and Future Potential Daniel Meyer-Dinkgrafe
Innovation in Five Acts: Strategies for Theatre and Performance Innovation in Five Acts: Strategies for Theatre and Performance Caridad Svich
Theatre of Fear & Horror: Expanded Edition: The Grisly Spectacle of the Grand Guignol of Paris, 1897-1962 Theatre of Fear & Horror: Expanded Edition: The Grisly Spectacle of the Grand Guignol of Paris, 1897-1962 Mel Gordon
Staging Ground Staging Ground Leslie Stainton
Romancing the Bard: Stratford at Fifty Romancing the Bard: Stratford at Fifty Martin Hunter
Genesis of the Shakespearean Works Genesis of the Shakespearean Works Peter D Matthews
Oscar Wilde's Last Stand Oscar Wilde's Last Stand Philip Hoare
Theatre, Time and Temporality: Melting Clocks and Snapped Elastics Theatre, Time and Temporality: Melting Clocks and Snapped Elastics David Ian Rabey
Theatre in Dublin, 1745–1820 Theatre in Dublin, 1745–1820 John C. Greene
Theatre in Dublin, 1745–1820 Theatre in Dublin, 1745–1820 John C. Greene
Prismatic Reflections on Spanish Golden Age Theater Prismatic Reflections on Spanish Golden Age Theater Amy R. Williamsen
Antonfrancesco Grazzini («Il Lasca»), Two Plays Antonfrancesco Grazzini («Il Lasca»), Two Plays Marino Dorazio
White People Do Not Know How to Behave at Entertainments Designed for Ladies and Gentlemen of Colour White People Do Not Know How to Behave at Entertainments Designed for Ladies and Gentlemen of Colour Marvin McAllister
Whiting Up Whiting Up Marvin McAllister
New releases
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Tennessee Williams 101 Tennessee Williams 101 Augustin J Correro
Indigenous Women’s Theatre in Canada Indigenous Women’s Theatre in Canada Sarah Mackenzie
Shakespeare and Realism Shakespeare and Realism Roberta Barker
Till the Boys Come Home Till the Boys Come Home Roger Foss
A Mad Love A Mad Love Vivien Schweitzer
A Mad Love A Mad Love Vivien Schweitzer
And the Shark, He Has Teeth And the Shark, He Has Teeth Ernst Josef Aufricht
Playing to the Gods Playing to the Gods Peter Rader
Kenneth Tynan: Theatre Writings Kenneth Tynan: Theatre Writings Kenneth Tynan
Performing Trauma in Central Africa Performing Trauma in Central Africa Laura Edmondson
Stage Matters Stage Matters Jim Casey
Staging Memory and Materiality in Eighteenth-Century Theatrical Biography Staging Memory and Materiality in Eighteenth-Century Theatrical Biography Amanda Weldy Boyd
Meyerhold, The Magnanimous Cuckold Meyerhold, The Magnanimous Cuckold Béatrice Picon-Vallin
Kantor, The Dead Class Kantor, The Dead Class Marie-Thérèse Vido-Rzewuska
A Taste of Broadway A Taste of Broadway Jennifer Packard
The Videofag Book The Videofag Book Tannahill
Off-Broadway/Off-West End Off-Broadway/Off-West End David Weinberg
Blood on the Stage, 1800 to 1900 Blood on the Stage, 1800 to 1900 Amnon Kabatchnik
Shakespeare's Ear Shakespeare's Ear Tim Rayborn
Historic Theaters of Youngstown and the Mahoning Valley Historic Theaters of Youngstown and the Mahoning Valley Sean T. Posey