Columbia University Press / Collection : Film and Culture Series / Social science

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Deathwatch: American Film, Technology, and the End of Life

by C. Scott Combs Columbia University Press (September 02, 2014)

While cinema is a medium with a unique ability to “watch life” and “write movement,” it is equally singular in its portrayal of death. The first study to unpack American cinema’s long history of representing...


Electric Sounds: Technological Change and the Rise of Corporate Mass Media

by Steve J. Wurtzler Columbia University Press (January 23, 2007)

Electric Sounds brings to vivid life an era when innovations in the production, recording, and transmission of sound revolutionized a number of different media, especially the radio, the phonograph, and the...


The New European Cinema: Redrawing the Map

by Rosalind Galt Columbia University Press (March 21, 2006)

New European Cinema offers a compelling response to the changing cultural shapes of Europe, charting political, aesthetic, and historical developments through innovative readings of some of the most popular...


Electric Dreamland: Amusement Parks, Movies, and American Modernity

by Lauren Rabinovitz Columbia University Press (July 16, 2012)

More than two thousand amusement parks dotted the American landscape in the early twentieth century, thrilling the general public with the latest in entertainment and motion picture technology. Amusement parks...


Taiwan Film Directors: A Treasure Island

by Emilie Yueh-yu Yeh & Darrell William Davis Columbia University Press (July 06, 2005)

Focusing on the work of four contemporary filmmakers—Ang Lee, Edward Yang, Hou Hsiao-hsien, and Tsai Ming-liang—the authors explore how these filmmakers broke from tradition, creating a cinema that is both...


Sentimental Fabulations, Contemporary Chinese Films: Attachment in the Age of Global Visibility

by Rey Chow Columbia University Press (March 27, 2007)

What is the sentimental? How can we understand it by way of the visual and narrative modes of signification specific to cinema and through the manners of social interaction and collective imagining specific...