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Sound, Speech, Music in Soviet and Post-Soviet Cinema

by Lilya Kaganovsky & Masha Salazkina Indiana University Press (March 07, 2014)

This innovative volume challenges the ways we look at both cinema and cultural history by shifting the focus from the centrality of the visual and the literary toward the recognition of acoustic culture as formative...


Medieval Instrumental Dances

by Timothy J. McGee Indiana University Press (February 10, 2014)

In Europe the tradition of secular dance has continued unbroken until the present. In the late Middle Ages it was an important and frequent event-for the nobility a gracious way to entertain guests, for the...


Singing Jeremiah: Music and Meaning in Holy Week

by Robert L. Kendrick Indiana University Press (May 05, 2014)

A defining moment in Catholic life in early modern Europe, Holy Week brought together the faithful to commemorate the passion, crucifixion, and resurrection of Jesus Christ. In this study of ritual and music,...


The Italian Cantata in Vienna: Entertainment in the Age of Absolutism

by Lawrence Bennett Indiana University Press (October 18, 2013)

Lawrence Bennett provides a comprehensive study of the rich repertoire of accompanied vocal chamber music that entertained the imperial family in Vienna and their guests throughout the 17th and early 18th centuries....


A Performer's Guide to Renaissance Music

by Jeffery Kite-Powell Indiana University Press (August 02, 2007)

Revised and expanded since it first appeared in 1991, the guide features two new chapters on ornamentation and rehearsal techniques, as well as updated reference materials, internet resources, and other new...


Bach's Cello Suites, Volumes 1 and 2: Analyses and Explorations

by Allen Winold Indiana University Press (May 10, 2007)

J. S. Bach's Suites for Unaccompanied Cello are among the most cherished and frequently played works in the entire literature of music, and yet they have never been the subject of a full-length music analytical...


Music and the Skillful Listener: American Women Compose the Natural World

by Denise Von Glahn Indiana University Press (April 09, 2013)

For Denise Von Glahn, listening is that special quality afforded women who have been fettered for generations by the maxim "be seen and not heard." In Music and the Skillful Listener, Von Glahn explores the...


Jelly Roll, Bix, and Hoagy, Revised and Expanded Edition: Gennett Records and the Rise of America's Musical Grassroots

by Rick Kennedy & Ted Gioia Indiana University Press (February 08, 2013)

In a piano factory tucked away in Richmond, Indiana, Gennett Records produced thousands of records featuring obscure musicians from hotel orchestras and backwoods fiddlers to the future icons of jazz, blues,...


Music and the Politics of Negation

by James R. Currie Indiana University Press (August 23, 2012)

Over the past quarter century, music studies in the academy have their postmodern credentials by insisting that our scholarly engagements start and end by placing music firmly within its various historical and...


A Performer's Guide to Seventeenth-Century Music

by Jeffery Kite-Powell & Stewart Carter Indiana University Press (March 21, 2012)

Revised and expanded, A Performer's Guide to Seventeenth Century Music is a comprehensive reference guide for students and professional musicians. The book contains useful material on vocal and choral music...


Expressive Intersections in Brahms: Essays in Analysis and Meaning

by Heather Platt & Peter H. Smith Indiana University Press (July 18, 2012)

Contributors to this exciting new volume examine the intersection of structure and meaning in Brahms's music, utilizing a wide range of approaches, from the theories of Schenker to the most recent analytical...


The Eighteenth-Century Fortepiano Grand and Its Patrons

by Eva Badura-Skoda Indiana University Press (November 20, 2017)

In the late 17th century, Italian musician and inventor Bartolomeo Cristofori developed a new musical instrument—his cembalo che fa il piano e forte, which allowed keyboard players flexible dynamic gradation....


A Theory of Musical Narrative

by Byron Almen Indiana University Press (September 01, 2017)

Byron Almén proposes an original synthesis of approaches to musical narrative from literary criticism, semiotics, historiography, musicology, and music theory, resulting in a significant critical reorientation...


Sonata Fragments

by Andrew Davis Indiana University Press (September 01, 2017)

In Sonata Fragments, Andrew Davis argues that the Romantic sonata is firmly rooted, both formally and expressively, in its Classical forebears, using Classical conventions in order to convey a broad constellation...


Women and Music: A History

by Karin Pendle Indiana University Press (April 22, 2001)

This updated, expanded, and reorganized edition of Women and Music features even more women composers, performers, and patrons, even more musical contexts, and an expanded view of women in music outside Europe...


Psychedelic Popular Music

by William Echard Indiana University Press (May 22, 2017)

Recognized for its distinctive musical features and its connection to periods of social innovation and ferment, the genre of psychedelia has exerted long-term influence in many areas of cultural production,...


Ferruccio Busoni and His Legacy

by Erinn E. Knyt Indiana University Press (May 22, 2017)

Many students of renowned composer, conductor, and teacher Ferruccio Busoni had illustrious careers of their own, yet the extent to which their mentor’s influence helped shape their success was largely unexplored...


History of Music in Russia from Antiquity to 1800, Vol. 1: From Antiquity to the Beginning of the Eighteenth Century

by Nikolai Findeizen, Milos Velimirovic & Claudia R. Jensen Indiana University Press (February 07, 2008)

In its scope and command of primary sources and its generosity of scholarly inquiry, Nikolai Findeizen's monumental work, published in 1928 and 1929 in Soviet Russia, places the origins and development of music...


History of Music in Russia from Antiquity to 1800, Vol. 2

by Nikolai Findeizen, Milos Velimirovic, Claudia Jensen & Malcolm Brown et al. Indiana University Press (February 07, 2008)

In its scope and command of primary sources and its generosity of scholarly inquiry, Nikolai Findeizen's monumental work, published in 1928 and 1929 in Soviet Russia, places the origins and development of music...


Dance and the Music of J. S. Bach, Expanded Edition

by Meredith Little & Natalie Jenne Indiana University Press (January 27, 2009)

Stylized dance music and music based on dance rhythms pervade Bach's compositions. Although the music of this very special genre has long been a part of every serious musician's repertoire, little has been written...