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After the Silents: Hollywood Film Music in the Early Sound Era, 1926-1934

by Michael Slowik Columbia University Press (October 07, 2014)

Many believe Max Steiner’s score for King Kong (1933) was the first important attempt at integrating background music into sound film, but a closer look at the industry’s early sound era (1926–1934) reveals...


Deathwatch: American Film, Technology, and the End of Life

by C. Scott Combs Columbia University Press (September 02, 2014)

While cinema is a medium with a unique ability to “watch life” and “write movement,” it is equally singular in its portrayal of death. The first study to unpack American cinema’s long history of representing...


Essays on the Essay Film

by Nora M. Alter & Timothy Corrigan Columbia University Press (March 14, 2017)

The essay—with its emphasis on the provisional and explorative rather than on definitive statements—has evolved from its literary beginnings and is now found in all mediums, including film. Today, the essay...


The Use and Abuse of Cinema: German Legacies from the Weimar Era to the Present

by Eric Rentschler Columbia University Press (April 21, 2015)

Eric Rentschler explores the screen fantasies and spectacles that derive from Germany’s fraught modern experience and follows the traces of these sights and sounds to the postmillenial present. Each chapters...


Dreaming of Cinema: Spectatorship, Surrealism, and the Age of Digital Media

by Adam Lowenstein Columbia University Press (November 11, 2014)

Adam Lowenstein argues that Surrealism's encounter with film can help redefine the meaning of cinematic spectatorship in an era of popular digital entertainment. Video games, YouTube channels, Blu-ray discs,...